This letter has been cut from soft leather and hand stitched to fine tapestry canvas which I had painted with gold paint. I then couched a double line of gold all round the edges, placed the whole thing over a piece of very bright gold synthetic fabric then applied it directly to the page. I finished off with a strip of gold 'bead' edging. The gaudy gold under-fabric is knocked back but adds a subtle glint through the holes of the canvas.
The fennel image is from a rubber stamp - would that I could draw like that! I coloured it with the Sakura pens again and machine stitched with ordinary straight stitch directly to the page.
I quite thought I would be completing each page as I did them but am finding I have to keep going back to see if they look finished. Even now I may add tiny trims and embellishments to one or two though I don't want to overload the designs.
I quite thought I would be completing each page as I did them but am finding I have to keep going back to see if they look finished. Even now I may add tiny trims and embellishments to one or two though I don't want to overload the designs.
I am working out how to assemble the book as I go along and think that each page will have to be treated as a signature and attached to a strip of strong fabric individually before being attached to the spine. All this is quite far ahead and there is plenty more to do before I get to that point. The pages will have to be assembled in the right order and then joined to eachother back to back. I have a strong random-dyed thread in muted natural tones just right for the job but all that stitching is going to take ages. Never mind, while I am doing it I shall have plenty of opportunity to work out how to make the cover.